Two new commentary tracks were recorded for Dark Sky’s The Texas Chain Saw Massacre: 40 th Anniversary Blu-ray and DVD editions: a solo track by director Tobe Hooper and a production track by cinematographer Daniel Pearl, editor J. If you’ve never seen the film, or are ready to revisit it, this is the best version you’ll find in streaming form. The film was remastered with a 4K digital transfer from the original 16mm negative for the 40 th anniversary, which preserves the texture of film without turning the film grain into a digital grainstorm. Subscribe to Stream On Demand to receive notifications of new posts (your E-mail address will not be shared) and follow us on Facebook and Twitter. The Texas Chain Saw Massacre: 40th Anniversary Collector’s Edition ĭon’t miss a single recommendation. The Texas Chain Saw Massacre: 40th Anniversary That grunginess is part of the experience.Īlso on DVD and Blu-ray in special editions from Dark Sky and on SVOD through Amazon Video, iTunes, GooglePlay and/or other services. It is one of the great transgressive American horrors and is still the film upon which Hooper’s reputation is built.Ī grunge classic in its own right, with sweltering, sunburned color, gloomy interior darkness, and its own atmosphere of Southwestern Gothic, The Texas Chainsaw Massacre was shot on 16mm film and blown up to 35mm for theaters. Along with Night of the Living Dead and The Last House on the Left, it ushered in the modern age of horror in the 1970s.
It’s unrelenting and unforgettable and its raw gore remains its strongest element.
Shot in the cheap with a primitive look that belies the craft put into it, the film earns its garish title and notorious reputation, notably with the almost pure savagery of the film’s poster-boy Leatherface (Gunnar Hansen), the devoted mute son who wields the chainsaw under a mask of human flesh. The saw is family in Tobe Hooper’s brutal, brilliant debut The Texas Chainsaw Massacre (1974) a grungy, grisly horror about a perverse Texas cannibal clan (inspired by the story of Ed Gein) and the teenagers who wander into their home (decorated in furniture constructed from human bones) and wind up on their meat hooks and in their freezer.
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